Skip to content
Vista Trail Notes

Dance Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I'm Not Precious About My Body'

In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally upright, his limbs muscular beneath a simple white T-shirt. On stage, ballet dancers can seem like mighty deities, yet often offstage they are petite. Not so Ball, whose tall stature is one reason for his popularity for heroic characters and partnering. With delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has advanced smoothly. Growing up in Liverpool, he faced little teasing for his childhood interest in ballet. Joining the Royal Ballet School at 11, he graduated straight into the company and was promoted each year, reaching the top rank of principal in 2018. He has loved taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His next featured role is as himself, in an "Evening With" event aiming to offer intimate insights into a dancer's art. He will walk the audience through a part, demonstrating his mental workflow during execution. Yet in lighter works, the challenge is profound. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Struggle and Post-Performance Emotions

What about following a show, when he has succeeded? "It's pretty good," he says. "However because I'm trying to extract all the juice out of it, and get lost in the role, frequently I do feel embarrassed later. Following Mayerling I'm always like: God, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker previously observed on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Creative Inspirations

Ball's tenacity originated in early setbacks. Not excelling in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

The next endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from literature, music, and painting.

Intimate Performance and Personal Dynamic

He also is interested in presenting dance in smaller venues. "It was just really thrilling," he says of a past show. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They are not typically paired on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Perception

On Instagram, followers can see videos from his projects and photos that showcase a athletic form. Does he care that the engagement can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be seen on various levels.

Ball characterizes his early self as "desperate for success." Did it lived up to his hopes? "I feel very aware of how reality is a different thing to the aspirations you had as a child," he reflects. He likely has another ten years of dancing left. "I guess in the future, I want to be a bit more kind with myself."

Written by

Randy Turner

Elara is a passionate hiker and nature writer, sharing insights from years of exploring trails worldwide.

Vista Trail Notes

Type to search articles.